My work is rooted in a love of the British countryside, its ever-changing seasons, its quiet details, and the abundance of flora and fauna that often go unnoticed. I am particularly drawn to the plants many dismiss as “weeds” , the overlooked, resilient species that thrive in hedgerows, verges, and wild edges. These humble forms, with their intricate structures and fleeting beauty, are a constant source of inspiration.

Living and working a stone’s throw from the Sussex coast and the South Downs, I am surrounded by this richness daily. The landscape offers an endless visual diary, from windswept grasses to seed heads, wildflowers, and native trees. My walks are rarely hurried; I find myself stopping often to photograph a tangle of hedgerow or the delicate detail of a leaf. My walking group may find this slightly odd, but for me it’s where ideas begin.

Through my jewellery, I aim to capture and preserve these fleeting natural forms in precious metal. By imprinting and translating organic textures into silver and gold, I create pieces that hold a quiet connection to place, small, wearable reminders of the beauty found in the everyday landscape.

Katherine Lawrie is a jeweller whose work is rooted in craftsmanship, heritage, and a deep appreciation for natural forms. Working primarily in precious metals, she creates pieces that are both timeless and tactile, often drawing inspiration from organic textures and found elements.

Her journey into jewellery began at a young age, learning alongside her father in his workshop. This early hands-on experience shaped her understanding of materials and instilled a respect for traditional making techniques that continues to inform her practice today. Since formally training at Edinburgh College of Art and establishing her business in 1997, she has developed a distinctive style that balances simplicity with intricate detail.

Katherine’s work often incorporates processes such as imprinting, casting, and careful hand-finishing, allowing each piece to retain a sense of individuality. She is particularly drawn to the idea of preserving fleeting natural forms in metal, creating jewellery that holds both memory and meaning. She became a SBA Fellow in 2012 after being encouraged to create Botanical work by her friend and neighbour Alice Harman SBA Fellow.

Alongside her jewellery practice, she is actively involved in the local creative community, contributing to gallery spaces and collaborative projects. Her work reflects a commitment to quality, sustainability, and the enduring value of handmade craft.