Society of Botanical Artists : Plantae Online 2026

Cieba speciosa

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Supernova - Leucanthemum vulgare

By nick mcmillen Mr

Conte Pierre Noire on Fabriano Artistico hot press paper

h: 110 w: 110 d: 1 (cms).

Supernova is a large charcoal drawing that captures the elegant structure and natural geometry of one of Britain’s most iconic wildflowers. Hand-drawn using charcoal and Conté Pierre Noire, this detailed monochrome artwork highlights the striking patterns at the heart of the oxeye daisy — from its spiralling centre to the perfectly balanced arrangement of its petals.

£8000

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Supernova - Leucanthemum vulgare

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the sweetest chestnut

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Gnarled beech

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Paphiopedilum: Lady’s Slipper

By anna pronina

graphite

h: 42 w: 30 d: 1 (cms).

Lady’s Slipper is an orchid of the genus Paphiopedilum, whose name refers to the myth of Aphrodite and her sandal, said to have been lost during a walk and transformed, according to legend, into an exquisite flower. The form of this plant is an example of natural architecture, where aesthetics and engineering precision exist in inseparable unity. Its characteristic “slipper” is a complex pollination system: an insect, attracted by color and texture, enters the pouch and can leave only through a narrow, guided passage, brushing against the pollen in the process. Thus, beauty becomes a mechanism for the continuation of life.

£750

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Paphiopedilum: Lady’s Slipper

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Juglans regia

By valeria brambilla

Black ballpoint pen with extra fine tip and pencil

h: 27 w: 27 d: 1 (cms).

The walnut is an ancient tree. The first reliable evidence of walnut cultivation dates back to Babylon (now Iraq) around 2000 BC. Walnut wood is one of the most prized timbers in the world due to its physical, mechanical, and aesthetic characteristics. In Italy, the walnut is considered a noble tree not only for its fruit but also for the value of its timber. In fact, in the past, planting a walnut tree at the birth of a child meant providing a dowry for her/his future. Furthermore, the walnut husk, in addition to being used to make nocino (a liqueur made from walnut), is used dry in natural fabric dyes. Thanks to its high tannin content, it can produce a brown dye.

£1200

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Juglans regia

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Lichen Identification - Slides (Triptych)

By inês-hermione mulford

pencil on recycled paper

h: 23 w: 8 d: 1 (cms).

Drawings made, reflecting microscope identification slides, necessary when identifying many lichens. 3x 7.5x22.8cm drawings (22.7x38cm framed) £375 each or £1100 for all

£1100

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Lichen Identification - Slides (Triptych)

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Hydrangea

By samantha cowley

Graphite

h: 45 w: 45 d: 1 (cms).

A hyper-enlarged rendition of a Hydrangea, that had been faithfully growing in my front garden for more than 30 years! I really wanted to capture the classic dome shape of the mophead, paying particular attention to the centres of the individual flowers.

£3000

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Hydrangea

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CLAVEL DE BODA

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Evolution of Form

By olga lementa

Graphite pencils

h: 29 w: 21 d: 1 (cms).

At the centre of this work is a dry goatbeard flower merged with a seashell — a symbolic fusion of the organic and the mineral, of life and memory. The composition reflects the state of being “between worlds,” where nature, time, and perception intersect. In the stillness of the dead bloom and the spiral of the shell lies a search for harmony amid instability. The piece explores how botanical forms can act as ritual carriers of meaning in a modern world constantly shifting and crossing boundaries of the known. It is made on special, high-quality 100% cotton paper Sanders Waterford and has a density of 300 grams/meter.

£300

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Evolution of Form

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Vitis Telti-kuruk

By Anna Balaniuk

graphite pencils

h: 46 w: 32 d: 1 (cms).

Telti-Kuruk Grapes" — an artwork that participated in the exhibition and international project Botanical Art Worldwide 2025 representing Ukraine. Telti-Kuruk is an autochthonous grape variety native to Ukraine, cultivated on the territory of modern Ukraine since the 15th–16th centuries. It survived the largest phylloxera epidemic in Europe as well as the destruction of vineyards during the Prohibition period in the USSR. Today, this variety is cultivated by a single local winery and has become its distinctive signature. As a botanical artist, I was delighted to contribute to the popularization of this variety, as these grape clusters hold not only varietal value but visual beauty as well. Painting a white grape variety on white paper is a particularly engaging creative challenge.

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Vitis Telti-kuruk

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Crozier - Cyathea vieillardii

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Pinus sylvestris

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Plantago Major

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Abundance

By Rochelle Maree SBA Fellow

Graphite on Arches HP 300gsm

h: 55 w: 42 d: 1 (cms).

Snow peas from my garden.

£460

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Abundance

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Magnolia Canopy at Kew

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Armoracia rusticana

By olha poberezhska

Graphite on paper

h: 40 w: 30 d: 1 (cms).

This graphite work depicts a leaf of Armoracia rusticana (horseradish). Particular attention is given to the characteristic form of the leaf, its expressive veining, and the tonal transitions that convey volume and surface texture. The work is based on my own observations, with the aim of accurately reflecting the natural structure and sculptural quality of the plant.

£500

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Armoracia rusticana

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Phoenix dactylifera

By olha poberezhska

Graphite on paper

h: 36 w: 28 d: 1 (cms).

This graphite work depicts a leaf of Phoenix dactylifera (date palm). Particular attention is given to the characteristic shape of the leaf, the rhythm of its segments, and the direction of veining, which define its distinctive architecture. Tonal rendering emphasizes volume, depth, and surface texture. The work is based on my own observations, aiming to accurately convey the plant’s natural structure and sculptural quality.

£500

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Phoenix dactylifera

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A Dahlia in Bloom at Kew

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Corn

By Nataliia Kupchyk

Graphite

h: 45 w: 45 d: 1 (cms).

Corn is a fiery and passionate character. The dynamic movement of its leaves, the eccentric hairstyle, and the sweet, juicy kernels—all play out against a backdrop of contrasting textures: glossy shine versus matte fragility. Perhaps one must be an artist or a poet to see the spirit of a flamenco dancer in a corn husk. But try to look at this plant through my eyes, and feel what the artist feels when sensing the potential for a new story.

£360

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Corn

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Buddha's Hand

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Eucalyptus Flowers

By olya frolova

Graphite pencils

h: 29 w: 21 d: 1 (cms).

Eucalyptus flowers open not through petals but through a multitude of fine stamens that create a complex, almost explosive form. Within this structure lies the natural energy of growth — the moment when the protective cap releases, revealing the plant’s inner architecture. Shown alongside buds and fruit, it reflects different stages of a single process: from formation to full expression.

£450

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Eucalyptus Flowers

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Three Basils, Ocimum basilicum

By Heather N. Gross BA., BEd., MEd.

Graphite on Bristol Vellum

h: 34 w: 26 d: 1 (cms).

This graphite piece is based on a pot of three varieties of basil which I grew, Amazel, Dark Opal & Genovese basil. I loved the various textures and the range of values that this mix offered visually. Not only were each of these basils flavourful when used in cooking, they also smelt delightful in my studio! This piece was completed on Strathmore Bristol vellum using Caran D’Ache grafwoods (4H to 8B) and Blackwing pencils. My drawing & graphite work, prior to becoming involved in botanical art, relied solely on the typical HB pencil used in school.

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Three Basils, Ocimum basilicum

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Inner Glow

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A Matched Pair

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Petasites hybridus

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Dancing Oak Leaves

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Ananas comosus

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Dactylorhiza x Brauni

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Sun-Dried

By yuliia moiseieva

Silverpoint on acrylic-grounded paper

h: 56 w: 38 d: 1 (cms).

A sun-dried sunflower with its heavy head drooping, full of seeds. Drawn in silverpoint on acrylic-grounded paper; as the silver oxidises over time, the tones will gradually deepen, adding another layer of change to a plant that has already endured so much.

£2600

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Sun-Dried

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The Witness

By yuliia moiseieva

Silverpoint and goldpoint on acrylic-grounded paper

h: 38 w: 28 d: 1 (cms).

A yucca in full bloom, drawn in silverpoint and goldpoint on acrylic-grounded Arches paper. The flowers are rendered in goldpoint, the stem and the small hovering bee in silverpoint. As the silver oxidises over time, the two metals will gradually shift apart in tone — the drawing will continue to change long time.

£1400

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The Witness

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Red onion in graphite

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Tectaria gemmifera (Snail fern)

By Jonanda Kannemeyer

Pen on Paper

h: 56 w: 76 d: 1 (cms).

The snail-like gemmae of Tectaria gemmifera, bearing tiny plantlets on its living fronds, fascinate me. Through this artwork, I want to share the wonder of how its new life unfolds. This piece offers a modern take on classical botanical art, blending traditional drawing techniques with a contemporary minimalist composition. This intricate pen drawing is rendered on a full deckled-edge 640gsm Arches 100% cotton hot-pressed paper sheet. It was drawn with black archival-quality Sakura Pigma Micron pens in a range of nib sizes, using the stippling technique. Rendered at approximately three times life size, the drawing magnifies the snail fern's unique characteristics and aims to capture the beautiful silver-like sheen of its unfurling leaves in monotone, evoking the classic feel of old engravings. This botanical artwork stems from my personal connection with the plant, which is native to Southern Africa and sourced from my mother’s garden.

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Tectaria gemmifera (Snail fern)

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Pinus sp. - cone

By yuliia prokopchuk sbaf, aba, suba yula.designer.odessa@gmail.com

Graphite

h: 42 w: 29 d: 1 (cms).

This botanical graphite drawing captures the quiet strength and intricate structure of a pine cone. I was fascinated by its architectural rhythm — layer upon layer of protective scales, each carrying the memory of growth and time. Working in graphite allowed me to focus on tonal depth, texture, and the subtle play of light and shadow. The pine cone becomes more than a natural object — it transforms into a symbol of resilience, preservation, and the silent continuity of life. This artwork is part of my ongoing exploration of botanical forms as living witnesses of fragility and endurance. Through careful observation and slow drawing, I aim to reveal the dignity and quiet beauty of natural structures that are often overlooked.

£365

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Pinus sp. - cone

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Rhododendron sinogrande

By adrienne holman BA(Hons)

Graphite

h: 56 w: 76 d: 1 (cms).

I was privileged to have been given permission and great support from the Christie family to study the Rhododendron Collection at Blackhills Garden in Moray. Rhododendron sinogrande, The Great Chinese Rhododendron, studying this plant has been one of the most amazing challenges. The sheer scale with its grand architectural foliage reaching up to over 70cm in length the largest leaves in the genus with a dark green shiny rugulose upper surface contrasting with the beautiful silvery to fawn agglutinated indumentum on the lower surface. My first visit to the plant was whilst in bud, astounded by the beautiful large dramatic sculptural buds, I studied every stage of the life cycle, intrigued by the details, the bell shaped campanulate flowers, the colours, the indumentum, the tomentum on the ovary, seed capsules and the tiny seeds themselves. Building layers of graphite to show form, texture and detail to hopefully capture that dramatic moment I first discovered this species.

£850

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Rhododendron sinogrande

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Corymbia ficifolia - Red Flowering Gum

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Poppy seed heads

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Young Figs

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Flamingo Lily

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Magnolia grandiflora L - "Southern Magnolia"

By leila ali

Graphite

h: 29 w: 21 d: 1 (cms).

Early European botanists were amazed by the Southern Magnolia. When the tree reached Britain in the early 1700s, it became a symbol of exotic beauty. The first specimens were carefully grown in tubs with scaffolding so gardeners could propagate their branches, and each plant was so prized that it sold for five guineas. A fortune at the time!

£200

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Magnolia grandiflora L - "Southern Magnolia"

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Conference Pear

By yunjin park SBA Fellow, BA(Hons)

Watercolour on hot-pressed paper

h: 60 w: 50 d: 1 (cms).

A detailed botanical study of Pyrus communis ‘Conference’ pear, observed from life. This RHS Gold Medal-winning work presents the plant as it grows naturally, without idealisation, capturing the organic arrangement of fruit and foliage. Careful attention has been given to the subtle tonal variations of the pears, their distinctive elongated form, and the delicate surface textures. The leaves are rendered with close observation, including natural blemishes and signs of ageing, reflecting the plant’s true condition. The work aims to combine botanical accuracy with a quiet appreciation of the beauty found in nature as it is.

£980

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Conference Pear

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Rondo Grape

By yunjin park SBA Fellow, BA(Hons)

Watercolour on hot-pressed paper

h: 50 w: 60 d: 1 (cms).

A detailed botanical study of Vitis vinifera ‘Rondo’, observed from life at Denbies Wine Estate. This RHS Gold Medal-winning work focuses on the structure and weight of the fruiting vine, capturing the compact clustering of the grapes and their natural arrangement along the stem. Particular attention is given to the powdery bloom on the fruit surface and the subtle shifts in colour as the grapes ripen. The surrounding foliage reflects seasonal transition, with variations in colour and form that indicate the later stages of growth. The work aims to convey the character of the vine through its changing structure and maturity.

£1050

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Rondo Grape

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Dry Protea

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Hydrangea

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Malus domestica ‘Shinano Gold’

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Fatsia japonica

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Azalea ‘Orchid-like’

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Hops: Green Lace

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Bindweed and Freshwater Pearl necklace

By katherine lawrie

Sterling silver and white Freshwater Pearls

h: 19 w: 10 d: 1 (cms).

A sterling silver bindweed necklace all hand crafted from recycled silver. 19" in total (Can be made shorter or longer if required. T-bar catch at the back of the pearl strands.

£400

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Bindweed and Freshwater Pearl necklace

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Rhyncattleanthe Burana Beauty

By lesia zaitseva

Watercololr

h: 41 w: 31 d: 2 (cms).

Rhyncattleanthe Burana Beauty is a hybrid created not for rarity, but for visual impact. It has a well-composed flower form: the petals maintain a clear rhythm, while the lip remains a strong focal point, allowing the plant to be easily perceived from a distance—especially in an exhibition setting. The yellow color of this variety is warm and rich, with a sense of inner light. Even under artificial lighting, the flower does not lose its depth and continues to appear vibrant and alive. The pseudobulbs of this hybrid are dense and well-formed, emphasizing its vigorous growth and giving the plant a distinct character. This variety combines strength and lightness, making the flower appear both powerful and elegant.

£750

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Rhyncattleanthe Burana Beauty

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Vaccinium uliginosum L.

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Clathrus ruber

By yaroslava kyian

Watercolour on paper

h: 40 w: 30 d: 1 (cms).

In this watercolor piece featuring the rare Clathrus ruber, my goal was to capture its ephemeral, almost alien beauty and intricate latticework. I also wanted to illustrate its miraculous emergence into the world—a truly incredible creation of nature. I focused on rendering the complex textures and the stark contrast between the vibrant red 'cage' and the rough, grey protective peridium from which it sprouts. The painting is executed on 100% cotton Sanders Waterford paper by St Cuthberts Mill (300gsm, Hot Pressed).

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Clathrus ruber

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Clathrus archeri

By yaroslava kyian

Watercolour on paper

h: 40 w: 30 d: 1 (cms).

This watercolor painting of Clathrus archeri is a personal exploration of nature's dramatic cycle. My aim was to capture its unique lifecycle, from the emerging red tentacles breaking through the protective peridium to the fully unfurled, vibrant red arms with dark gleba. I meticulously focused on textures: smooth red arms, dark mucus and the detailed form of the bird skull nestled at its base, integrated as part of its ecosystem context. The piece is executed on 100% cotton Sanders Waterford paper by St Cuthberts Mill (300gsm, Hot Pressed).

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Clathrus archeri

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Pittosporum tenuifolium 'Irene Paterson' flowers

By birgit rhode

Watercolour

h: 29 w: 36 d: 1 (cms).

This plant is a cultivar of Pittosporum tenuifolium, a species native to NZ, that was selected and propagated for its distinctive variegated foliage. The rounded, wavy-margined leaves open white, then becoming dark green, speckled and mottled between the veins with white, often tinged pink in winter. The tiny, fragrant and deep chocolate-purple flowers are produced rather sparsely from late spring. We have this mature shrub in the garden and I have always found the contrast between the white-green foliage and the dark purple flowers a very attractive colour combination.

£250

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Pittosporum tenuifolium 'Irene Paterson' flowers

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Maori potatoes (Taewa) - Solanum tuberosum

By birgit rhode

Watercolour

h: 52 w: 65 d: 1 (cms).

Early explorers, sealers and whalers introduced potatoes (originating from the Andes in South America) to NZ in the 18th century. By 1800 and before European settlement, potatoes had become a staple food for Maori but were also used as a commercial crop. Maori potatoes are hardy and disease resistant. However, they produce fewer tubers which are also smaller and more knobbly with more deep-seated eyes than modern potato varieties. Testing has revealed their considerable nutritional benefits: they contain more antioxidants than modern potatoes, are richer in essential amino acids, minerals and anthocyanins, and the skins of all tested taewa cultivars are higher in protein, fat, minerals, and dietary fibre. I chose Maori potatoes as a subject because of their intriguing shapes and colours. I also wanted to portray them in a traditional kete (woven basket) as a nod to the part Maori cultivation played in preserving these original potato varieties.

£400

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Maori potatoes (Taewa) - Solanum tuberosum

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Purple Dendrobium Orchid

By Pakatip Dejaturat

Watercolour and Graphite on paper

h: 46 w: 31 d: 1 (cms).

My painting "Purple Dendrobium Orchid" depicts a Dendrobium species commonly found throughout Thailand and easily accessible in both rural areas and major cities. I am drawn to its simplicity and the striking presence of its purple hues. The elegant, flowing curves of the plant are carefully observed and rendered from a real specimen that I purchased from a local orchid market near my home. Through this piece, I aim to illustrate the life cycle of the orchid, capturing its gradual development , from the exposed roots, to the emerging buds, and finally to the fully blossomed flowers.

£650

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Purple Dendrobium Orchid

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Etlingera elatior

By Pakatip Dejaturat

Watercolour and Graphite on paper

h: 46 w: 31 d: 1 (cms).

My painting of the Etlingera elatior (Torch Ginger ) captures the bold colours and intricate structure of this tropical plant. I focused on the vibrant pink-red petals with touches of yellow, bringing out the unique beauty of the flower. The composition includes different stages of the plant, from the roots to the budding flower, full bloom, and seed head, offering a complete view of its life cycle. I have always been drawn to the Torch Ginger’s striking structure and colours. The flower is not only visually captivating but also used in traditional cooking.

£650

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Etlingera elatior

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Zygopetalum z artur ella

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A walk through a forest - funghi study

By Magdalena Pilarska - Rosarium Studio

Watercolor

h: 32 w: 49 d: 1 (cms).

A highly detailed illustration of several species of forest mushrooms, inspired by a walk through an autumn woodland, executed in watercolor on cotton paper. The composition features: the birch bolete, green-cracking russula, bay bolete, porcini, orange birch bolete, and, of course, the forest’s infamous and vividly colored icon, the fly agaric. The artwork is presented unframed; however, the artist offers custom framing options tailored to the buyer’s preferences, including the choice of frame, mount, and type of glass. The price includes framing.

£650

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A walk through a forest - funghi study

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Three oaks

By maria rudina

Paper (100% cotton), watercolor, colored pencils

h: 23 w: 31 d: 1 (cms).

"Three oaks" (Latin: Quércus álba, Quércus rúbra, Quércus róbur). I’d held a long-standing ambition to draw three oaks, but the one detail missing was a white oak acorn. As far as I know, the last time the tree in the St Petersburg Botanical Garden fruited was back in the 1960s, so I finally decided to begin the artwork without it. Then, quite miraculously, while walking in the Botanical Garden, I spotted acorns on the white oak! It had decided to fruit that very year, and I was lucky enough to see a white oak acorn in person and finally draw it.

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Three oaks

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Through thorns to sweetness

By Sophie Crossart SBAFellow, DipSBA(Dist), BA, MA, Dr. phil.

Watercolour and some body colour on calfskin vellum

h: 40 w: 30 d: 1 (cms).

This painting of Rubus plicatus (Blackberry) was created on scraps of calfskin vellum, mounted on museum board with linen yarn.

£850

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Through thorns to sweetness

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Paphiopedilum gratrixianum (Venus Slipper Orchid)

By Sophie Crossart SBAFellow, DipSBA(Dist), BA, MA, Dr. phil.

Watercolour on paper

h: 33 w: 33 d: 1 (cms).

Recipient of the Public Choice Award, Orchids, Orchids, Orchids exhibition (World Orchid Conference 2026, Dresden)

£880

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Paphiopedilum gratrixianum (Venus Slipper Orchid)

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Ivy Necklace with Ruby Zoisite necklace

By katherine lawrie

Sterling silver pendant on Ruby Zoisite beads

h: 45 w: 10 d: 2 (cms).

Green/pink Ruby Zoisite beaded recycled sterling silver necklace total length 17/18" which can be altered if required.

£290

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Ivy Necklace with Ruby Zoisite necklace

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Pumpkin Rhizomes - what is most beautiful is often grounded

By Magdalena Pilarska - Rosarium Studio

watercolor

h: 38 w: 56 d: 1 (cms).

The illustration *“Pumpkin Rhizomes”*, depicting a pumpkin-based composition, tells a story about seeking beauty in the seemingly ordinary and grounded aspects of life. In this case, it draws inspiration from the rhizomes and fruits of the pumpkin plant - elements close to the earth - revealing their unconventional and often overlooked beauty. The artwork has been executed in watercolor on cotton paper, with the utmost attention to detail and careful consideration given to the plant’s various stages of growth. The piece is presented unframed; however, the artist offers custom framing options tailored to the buyer’s preferences, including the choice of frame, mount, and type of glass. The price of the illustration includes framing.

£750

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Pumpkin Rhizomes - what is most beautiful is often grounded

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Pink Phalaenopsis

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Magnolia Sprite

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Peony Pink

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Vitis vinifera, Sauvignon Blanc.

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Tropea Onions

By crystal driedger

Coloured Pencil

h: 22 w: 28 d: 1 (cms).

Tropea onions, or Cipolla rossa di Tropea, are a sweet, red, and crunchy onion variety from the Tropea area in Calabria, Italy, known for their mild, delicate flavour. I wanted to capture them when they were sprouting new life again.

£550

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Tropea Onions

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Abalone Pearl Peony

By crystal driedger

Coloured Pencil

h: 33 w: 41 d: 1 (cms).

'Abalone Pearl' Peony (Paeonia lactiflora x 'Abalone Pearl'), the peony that started my obsession with collecting these flowers in my home garden. Suited to our zone 3 climate, hardy and vibrant, is a joyful beacon each spring.

£1200

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Abalone Pearl Peony

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Vitis vinifera, Pinot gris.

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Sonnet Orchid

By alisa vovk

Watercolor

h: 56 w: 38 d: 1 (cms).

The Sonet orchid is admired for its luxurious color and refined symmetry, symbolizing beauty, elegance, and spiritual strength. For me, orchids are a lifelong passion, my everyday bloom, my way to capture tenderness and vitality on paper.

£1200

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Sonnet Orchid

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Waratah

By soo ka kim

Watercolour

h: 25 w: 35 d: 1 (cms).

The Waratah (Telopea speciosissima) is a well-known native flower in Australia. I painted this flower because I love its strong shape and beautiful red colour. In this artwork, I tried to show the details and natural beauty of the Waratah by carefully observing it.

£450

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Waratah

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Phallus duplicatus

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Malus communis - Pomme d'Api

By béatrice bergemont

Watercolor

h: 31 w: 27 d: 1 (cms).

The pomme d’Api is one of the oldest varieties of apples, said to date from Roman times. Some researchers contend that Appius Claudius, the Roman censor who built the Appian Way in the third century BCE, brought the apple to France. But most French botanists believe it originated in the ancient Forest of Api in Brittany. It is a small “winter” apple and when fully ripe has bright red cheeks on a pale green-yellow background. This apple ripens in November, keeps well even at room temperature, and is often used for Christmas decorations. A fancy dessert apple, it is highly aromatic and makes delicious cider. Back in time, the ladies of the king’s court would carry the small apple in their purses for use as a breath freshener. In fall 2024, I had the opportunity to get some cuttings from a pomme d’Api tree in an heirloom apple orchard in Nova Scotia, Canada. I was very excited to illustrate this variety of apple, and combine the different elements to create a pleasing composition.

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Malus communis - Pomme d'Api

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Dutchman’s Breeches

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Gingko - Autumn Gold

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Rosa chinensis

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Luffa aegyptiaca

By prerna gupta

Coloured pencils

h: 25 w: 18 d: 1 (cms).

The desiccated fruit of this plant is as useful as the unripe ones. Peel off the dried outer layer, and you have a homemade loofa! This drawing was quite challenging because of the little markings all over the dried skin as well as the fibrous texture inside. Challenging, yet fun.

£380

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Luffa aegyptiaca

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Brugmansia

By serap keser

Watercolour

h: 76 w: 56 d: 1 (cms).

Brugmansia, often called “angel’s trumpet,” is a striking plant known for its large, pendulous, trumpet-shaped flowers and intoxicating fragrance. Despite its beauty, all parts of the plant are highly toxic, adding a mysterious and dramatic character to its presence.

£1950

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Brugmansia

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Conker Season - The Horse Chestnut at Bridge Lodge

By Sue McHugh

Watercolour

h: 74 w: 53 d: 2 (cms).

Original watercolour on Arches Smooth paper. Size 74cm x 53cm. The first in a series of paintings as 'artist in residence' for The Countess of Derby, at Knowsley Hall, of significant and iconic plants from the Estate.

£875

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Conker Season - The Horse Chestnut at Bridge Lodge

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Rhododendron Black Pearl

By Sue McHugh

Watercolour

h: 50 w: 50 d: 2 (cms).

Rhododendron - Black Pearl” - from Knowsley Hall’s own ‘American Gardens’ Collection Original watercolour on Arches Smooth paper. Part of a series of paintings as 'artist in residence' at Knowsley Hall for the Countess of Derby. 'Rhododendron Black Pearl' is part of a collection of works depicting heritage botanicals at Knowsley Hall. The piece is painted as part of my residency at Knowsley Hall estate to celebrate the 250th anniversary of the year of the birth of the 13th Earl of Derby and his significant contribution to natural history, including his patronage of artist Edward Lear. The ‘American Garden’ at Knowsley Hall hosts a truly significant collection of Rhododendron specimens. Set against the moving backdrop of the original aviaries and impressive walled gardens, a varied collection of Rhododendrons can be found. Walking amongst these for the very first time was awe-inspiring, with far too many to choose from, that was until I chanced upon the Black Pearl!

£875

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Rhododendron Black Pearl

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Hoya carnosa

By serap keser

Watercolour

h: 31 w: 23 d: 1 (cms).

Hoya carnosa, also known as the wax plant, is cherished for its thick, glossy leaves and clusters of star-shaped, porcelain-like flowers. It is a resilient houseplant that symbolizes lasting affection and thrives with minimal care.

£750

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Hoya carnosa

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Apple 'Hamid's Red'

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Butterfly Pea (Clitoria ternatea L.)

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Cleome anomala Kunth.

By Jenny Ordoñez

Cotton paper, colour pencils and graphite

h: 61 w: 45 d: 1 (cms).

Commissioned by the Universidad Católica de Cuenca, this work contributes to the re-edition of the 1911 classic, Enumeración Botánica de Luis Cordero. While the original publication holds immense historical weight, this new edition marks a milestone in Ecuadorian science and art: integrating modern botanical revisions and, for the first time, featuring the work of Ecuadorian botanical illustrators. Among the plants featured in this edition is Cleome anomala, an herbaceous shrub reaching heights of 3 to 4 meters. Found within the moist montane forests of Ecuador—often tucked away in ravines or forest gaps—it is a modest plant that easily blends into the verdant vegetation. However, it reveals its splendour through its striking inflorescences, characterized by long, vibrant purple anthers that gracefully protrude, demanding the viewer’s attention. The specimen from the illustration was observed within the Pasochoa forest reserve, near Quito, Ecuador.

£1000

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Cleome anomala Kunth.

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"Little matches" - Tristerix longibracteatus (Desr.) Barlow & Wiens

By Jenny Ordoñez

Cotton paper, colour pencils and graphite

h: 40 w: 45 d: 1 (cms).

A member of the Loranthaceae family and a relative of the common mistletoe, this hemiparasitic plant belongs to the genus Tristerix—a group endemic to the Andes, stretching from Colombia to Argentina. This resilient species thrives at elevations up to 4,000 meters above sea level, anchoring itself to the shrubs and small trees of the high-altitude paramos. Known locally as “mingari” or “fosforitos” ("little matches"), the plant is integrated into local tradition for its medicinal properties. Its ecological role is equally vital: its vibrant flowers are a nectar source for high-altitude hummingbirds, while its fruits sustain various bird species that, in turn, serve as the primary agents for seed dispersal. The specimen from the illustration was observed in the surroundings of Mojanda lake, Imbabura, Ecuador.

£800

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"Little matches" - Tristerix longibracteatus (Desr.) Barlow & Wiens

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Rosa rugosa rosehips

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Aeonium arboreum 'Velour'

By samantha cowley

Coloured pencil

h: 65 w: 55 d: 1 (cms).

Designed to be a plant portrait of one on many Aeoniums within my beloved succulent collection. The vivid purples and greens, along with the texture of the stem, are what drew me to this striking plant.

£8500

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Aeonium arboreum 'Velour'

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Pancratium maritimum: Resilience

By bruna ciabarri SBAF

Watercolour

h: 76 w: 57 d: 1 (cms).

This work depicts Pancratium maritimum across different stages of its life cycle, from flowering to fruiting and seed dispersal. Particular attention is given to the natural senescence of the strap-like leaves, shown collapsing onto the sandy substrate typical of its coastal habitat. The composition aims at bringing together observation and interpretation, reflecting the plant’s adaptation to a harsh coastal environment.

£1700

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Pancratium maritimum: Resilience

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Lonicera periclymenum

By Lesley Hazel BA(Hons), PGCE

Pen and ink

h: 40 w: 30 d: 1 (cms).

I am very much taken with the self-sown honeysuckles in my garden; Lonicera periclymenum, Lonicera japonica and Lonicera fragrentissima. Last year I enjoyed drawing and painting several versions of all three plants as the seasons changed. It was interesting to observe them develop, similar in some ways and different in other. I was captivated by the sturdy yet graceful bends of the Lonicera periclymenum which I was keen to capture in pen and ink. The wonderful colours of the flowers and the berries are asking for me to get out my watercolours this year.

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Lonicera periclymenum

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Garcínia mangostána

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Calypso bulbous

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Young shoot of the holly maple

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Canna indica

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Torch ginger

By sang hee nam

Coloured pencils on paper

h: 55 w: 40 d: 1 (cms).

A botanical study of Torch Ginger(Scientific name-Etlingera elatior), focusing on its distinctive inflorescence composed of layered red bracts. Observed from live specimens and rendered with attention to botanical accuracy and natural colour variation.

£200

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Torch ginger

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Crabapple

By sang hee nam

Coloured pencil and graphite on paper

h: 42 w: 30 d: 1 (cms).

A detailed study of crabapple(Scientific name-Malus spp), showing the seasonal transition from flowering to fruiting. Observed from live specimens, with emphasis on botanical accuracy and natural colour variation.

£200

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Crabapple

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Fritillaria meleagris

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Botanical Garden

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Ricinus communis

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