Society of Botanical Artists : Plantae Online 2026

Masdevallia BellaVallia

By odette roesch M.A.

Watercolour

h: 28 w: 29 d: 1 (cms).

The tension between order and dynamism, between geometric order and organic freedom - three striking red sepals merge into a precise triangle that tapers into extremely delicate, thread-like points. In contrast the leaves unfold in vibrant motion - curved, rhythmic, almost dance-like. Masdevallia bellavallia, a truly extraordinary Orchid.

£1800

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Masdevallia BellaVallia

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Swaying Whisper

By kristin tessen

Watercolor

h: 42 w: 29 d: 1 (cms).

In Swaying Whispers, inspired by Rhynchostele cervantesii, I explore the fragile elegance of the orchid's blossoms. The petals appear light and almost translucent, as if they were gently hovering rather than firmly rooted. Subtle accents of color emerge like soft whispers, never dominating the surface, but guiding the gaze with restraint and sensitivity. My compositions are intentionally open and reduced. I work with a limited palette of warm and cool tones, allowing generous white space to breathe within the image. This openness creates room for movement. The flowers seem to sway, to dance lightly across the surface, shaped by rhythm rather than symmetry. While painting, 1 am less interested in strict botanical depiction than in atmosphere and presence. 1 work slowly and intuitively, allowing each layer to respond to the previous one. Swaying Whispers is an attempt to hold onto something transient: a fragile balance between stillness and movement, between form and dissolution.

£850

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Swaying Whisper

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Cowslips on the Marshwood Vale

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Gorse on Abbotsbury Hill

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Rhododendron japonicum (Blume) C.K.Schneid.

By yewon lee

Colored pencil

h: 39 w: 56 d: 1 (cms).

This piece captures the abundance and brightness of rhododendron, showcasing fully bloomed flowers and buds that symbolize a vibrant future. It conveys the energy and elegance found in its beautiful colors.

£1100

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Rhododendron japonicum (Blume) C.K.Schneid.

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Rose Posy

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Munstead Wood Foxgloves

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Scots pine and Hypnum

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Maranta leuconeura Tricolor

By iuliia svalova

Colored Pencil on paper

h: 38 w: 28 d: 1 (cms).

This work depicts Maranta leuconeura ‘Fascinator Tricolor’, a tropical species widely valued as an ornamental houseplant for its striking foliage and rhythmic leaf patterning. It is also an engaging subject for observation, as its leaves respond to light by folding and unfolding throughout the day. The composition presents the plant at different stages of growth, including mature leaves, a developing shoot, inflorescence, and underground structures. Particular attention is given to the structure of the leaves, with their characteristic red venation contrasting against deep green tones, as well as to the subtle colour variations on the reverse side. The roots and tubers are included to provide a more complete botanical study of the species. The artist is passionate about growing houseplants and gardening, and therefore studies all parts of the plant in order to achieve a high level of botanical accuracy.

£480

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Maranta leuconeura Tricolor

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Elder&Younger

By alina kovalenko

Watercolor and gouache on paper

h: 15 w: 15 d: 1 (cms).

Two raspberries are seen as two siblings, two sisters. The composition reflects a quiet connection and natural resemblance, highlighting subtle contrasts and harmony between the elder and the younger.

£450

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Elder&Younger

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Castanea crenata Siebold & Zucc.

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Castanea crenata Siebold & Zucc.

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Chine III

By tom hughes

oil on linen

h: 160 w: 120 d: 6 (cms).

Britain has a long and quietly remarkable relationship with the natural world. For centuries, we’ve cultivated gardens that blur the line between the familiar and the exotic, places where Victorian explorers’ discoveries now grow beside native hedgerow species and small garden birds flit through foliage collected from the other side of the world. Tom Hughes’ paintings begin in these spaces. He spends time in botanical gardens, arboretums, and the wilder corners of curated estates, drawn to the areas where foreign plants have taken root in our climate and become part of a uniquely British ecology. At first glance, these scenes look tropical, but they are British, woven into our landscape and shaped by our weather. Drawing on the tradition of botanical collecting and horticultural exploration, Tom presents a contemporary vision of nature in Britain: one shaped by history, climate, and a deep cultural fascination with the exotic.

£20000

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Chine III

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Pleione humilis

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Glass Gem Corn

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Tree peony

By yoohwa kim

Watercolour

h: 52 w: 36 d: 1 (cms).

A comprehensive botanical study of the Paeonia suffruticosa, featuring the intricate details of its blooms and foliage, alongside precise dissections of the fruit and floral structures. Utilizing professional watercolours, I have captured the vibrant and intense purple hues of the petals to evoke the plant's natural grandeur. Through a delicate layering of transparent glazes, I sought to achieve a luminous quality that reflects the ephemeral beauty of the peony in full bloom, balancing scientific precision with artistic vitality.

£1500

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Tree peony

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Singolo: The Bloom That Captures the Heart

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Cape Primrose

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unripe crabapples

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"Magnolia flowers"

By irina vastardis (KOROBEICHUK)

Watercolor

h: 55 w: 37 d: 1 (cms).

This botanical painting captures the warm, creamy tones of a magnolia in bloom, executed in a wet-on-wet technique on professional 300g Saunders Waterford cold-pressed cotton paper. I used a delicate palette of professional pigments to build the flower's volume and subtle shadows. By omitting the background, the focus is entirely on the sculptural form of the petals and the organic elegance of the specimen.

£1700

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"Magnolia flowers"

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Zeuxine strateumatica

By lydia yang

Coloured pencil

h: 26 w: 38 d: 1 (cms).

Zeuxine strateumatica, or the Fine-leaved Zeuxine, is a common native orchid in Taiwan, found in low-altitude grasslands, park lawns, and field ridges. This specimen was discovered on a metropolitan high school campus between February and March. Its brownish-green, linear leaves blend perfectly with the grass, making it nearly invisible until it blooms. The flowering period is brief, lasting only 3 to 4 weeks before the plant vanishes. The specimen stands 11 cm tall, with 5 mm flowers. Design Layout: Right Side: A macro close-up showcasing the flower's intricate details. Left Side: Internal anatomical structures of Orchidaceae. Pollen illustrations are referenced from Kant & Kumar (2010), Anther Development in Orchidaceae (Figure 1).

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Zeuxine strateumatica

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Morning Dew

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Rembrandt tulips

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Hippeastrum Pink White

By helen pennington BSc MRes PhD

I drew the flower in in Derwent Watercolour, Prismacolour and Karisma pencils, on Strathmore 400 Toned 118gsm Gray paper, so that the white edged petals would stand out. The image depicts a mostly white Hippeastrum with fine red markings.

h: 23 w: 31 d: 1 (cms).

I bred grew this amaryllis from a seed, and waited five years for it to flower. This illustration is from the first time that this bulb flowered. I used this illustration as my entry piece for the SBA DLDC Course 23.

£300

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Hippeastrum Pink White

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Solanum tuberosum 'Mr Little's Yetholm Gypsy'

By maruska greenwood-dalecki OBE

Watercolour and graphite

h: 46 w: 36 d: 1 (cms).

This work was created for the Botanica Scotia exhibition held as part of Botanical Art Worldwide 2025, which focused on heritage crops. The work was exhibited in Edinburgh, and at the V&A in Dundee. Mr Little's Yetholm Gypsy is a distinctive heritage potato, which uniquely shows flashes of three colours in unusual random swirling on its skin: pale golden, light pink and deep purple. Its name denotes its historical connection to its original community, the Yetholm area in the Scottish Borders, which was a stronghold of Romany gypsies for centuries. Thought to be introduced in around 1899, it is also named after the late Mr Little whose family was given the tubers at a local horse fair in the 1940s, and kept the variety going for 50 years. It now owes its survival to Scotland’s potato expert, Alan Romans, who in 1998 through his microplants project cleaned and re-introduced the variety on a small scale.

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Solanum tuberosum 'Mr Little's Yetholm Gypsy'

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Paeonia lutea seed pod

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Delphinium

By lilia diaconu LD

Watercolor

h: 27 w: 37 d: 1 (cms).

Delphinium BlueSkye

£350

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Delphinium

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571 - Saxifraga florulenta '25Wp2

By alessandro infuso

Watercolor / graphite on paper

h: 56 w: 38 d: 1 (cms).

This drawing depicts Saxifraga florulenta, a rare endemic species and glacial relict confined to the Maritime Alps. The plant is adapted to extreme siliceous rocky habitats, typically growing in narrow crevices at high altitudes, where water availability is irregular and environmental conditions are highly selective. Notably, S. florulenta is a monocarpic perennial, capable of living for several decades before flowering once and subsequently dying. The composition is structured across three distinct areas of the sheet. One section represents the basal rosette in its vegetative state, while another illustrates the first flowering individual I have personally observed after extensive field research. A third area shows a specimen with a partially developed inflorescence, accompanied by a minimal indication of its alpine habitat.

£1600

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571 - Saxifraga florulenta '25Wp2

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Star of Bethlehem

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Sunflowers

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Freesia

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Digitalis purpurea

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Cucumis melo L.

By yejin lee

Colored pencil on paper

h: 42 w: 30 d: 1 (cms).

This work approaches the Korean melon not simply as a fruit, but as a botanical subject. Focusing on its form, color, and texture, I carefully observed and recorded its characteristics through the process of drawing. Within the variations of yellow tones and the repetition of its striped patterns, I found a sense of order and rhythm in nature, which I sought to convey in this piece. Through this work, I explore the process of discovering new beauty within familiar subjects.

£500

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Cucumis melo L.

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Metaplexis japonica (Thunb.) Makino

By se hee seo

Coloured pencil on paper

h: 39 w: 54 d: 1 (cms).

This artwork presents the complete life cycle of Metaplexis japonica, meticulously documenting its botanical transition from bud to seed. The primary composition illustrates the sequential stages of flowering—from pre-bloom and full anthesis to the post-floral phase—accurately depicting the plant's characteristic inflorescence. The work further explores the development of the follicle (fruit) from the spent flower, alongside the distinctively opposite (decussate) leaf arrangement. To emphasize its growth habit, I have captured the vine's natural fluidity through elegant, winding curves. A significant focus was placed on the mature, dehiscent fruit, where I detailed the remarkably organized and rhythmic arrangement of the seeds, highlighting the structural beauty and biological precision of the species.

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Metaplexis japonica (Thunb.) Makino

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Magnolia × soulangeana

By se hee seo

Colored pencil on pape

h: 54 w: 39 d: 1 (cms).

This botanical illustration captures the complete life cycle of Magnolia × soulangiana, commonly known as the Saucer Magnolia, within a single composition. The artwork meticulously documents the plant’s transformation, starting from the velvet-textured dormant buds of early spring to the full, elegant bloom, and concluding with the maturation of the fruiting aggregate in autumn. To emphasize botanical accuracy, a detailed floral dissection is integrated into the piece. This section highlights the intricate morphology of the pistils and stamens, providing a clear view of the reproductive structures that are often hidden within the tepals. The artist has focused on the striking contrast between the deep purplish-pink exterior and the pure white interior of the petals, a defining characteristic of this hybrid. By illustrating the transition from flower to the distinctive knobby fruit containing bright red seeds, the work celebrates the biological complexity and the enduring vitality of

£600

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Magnolia × soulangeana

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Bromeliad - Neoregelia 'Donger'

By simon williams SBAF

Gouache

h: 25 w: 34 d: 1 (cms).

A study of this Bromeliad growing in the artists greenhouse painted over the new year. Please note, the sale price is for unframed. It is not possible to include a frame. Mount only.

£300

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Bromeliad - Neoregelia 'Donger'

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Octopus Plant:Tillandsia caput-medusae

By chiming tai SBAF

Watercolor, Colored pencils:wax-based, oil-based, Gouache, Pencil, 100% Cotton Watercolor Paper

h: 45 w: 45 d: 1 (cms).

While watering and observing my Octopus Plant, I experienced a brief illusion: I was looking at a plant, yet simultaneously seeing the form of an animal. Its linear, gray-green leaves twisted and curled inward like the powerful tentacles of an octopus, while the bulbous base mirrored the shape of a head and eyes. Many plant names are inspired by such shared biological traits. With this piece, I wanted to offer a perspective that blends botanical precision with a sense of wonder—encouraging viewers to engage their imagination and ask: What else do I see?

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Octopus Plant:Tillandsia caput-medusae

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Dance of Exploration

By chiming tai SBAF

Watercolor, Watercolor pencils, Gouache, Chinese ink, 100% Cotton Watercolor Paper

h: 76 w: 56 d: 1 (cms).

Dancing in the sunlight, its spiraling form is full of grace and allure, reaching forward to explore the unknown. Centella asiatica is widely found from tropical to warm temperate regions. It has long been valued for its healing properties and, in Taiwan’s Hakka culture, is used for treating headaches or cooked with pork as a nourishing dish. Today, it is also known for its skincare benefits. This painting conveys its resilience, graceful growth, and enduring vitality.

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Dance of Exploration

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Achiras

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Allium hollandicum, ninety flowers

By susan garner MA

Sterling Silver

h: 40 w: 12 d: 12 (cms).

An example of the species 'Allium Purple Sensation' recreated in recycled sterling silver. The main flower head consists of ninety individual silver flowers, each containing six stamen and one central stigma. A stunning, detailed example of the beautiful global splendour of a classic garden flower. This piece has been hallmarked and can be displayed in the acrylic base supplied or with a wall bracket if required.

£2250.00

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Allium hollandicum, ninety flowers

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Hyacinthoides non-scripta, 7 bells & Leaf

By susan garner MA

Sterling Silver

h: 28 w: 3 d: 16 (cms).

A single stem Hyacinthoides non-scripta, English Bluebell, constructed from recycled sterling silver tubing and wire. This example consists of seven bells each bell holds six silver stamen and a single stigma. There is also a leaf made from silver sheet soldered to the stem. This piece has been hallmarked and can be displayed in the acrylic base supplied or with a wall bracket if required.

£710

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Hyacinthoides non-scripta, 7 bells & Leaf

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Peony 'Sarah Bernhardt'

By marina kiselyova

Watercolour on paper

h: 76 w: 56 d: 1 (cms).

£3900

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Peony 'Sarah Bernhardt'

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Solomon's seal

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Sycamore leaf

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Brachychiton discolor (White Kurrajong)

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Rhododendron schlippenbachii Maxim.

By Yeonuk Kim BSc, MEd

watercolor pencils on paper

h: 40 w: 55 d: 1 (cms).

In Korea, the Rhododendron schlippenbachii Maxim. is a cultural icon of resilience. My practice is anchored in three principles: actual life-size, long-term observation, and the unaltered field state. Since childhood, climbing mountains with my father, I have been captivated by the Royal Azalea, whose petals fluttered like butterflies in the breeze. Through years of observation, I documented its unique biological rhythm and distinctive winter buds. I was fascinated by the silvery pubescence protecting these buds, capturing the structural promise of new life. Using watercolor pencils, I traced each fine hair and the intricate veins of the leaves that gracefully curl backward. Facing the subject in its true size is more than a technique; it is a sincere record of a life that perseveres—a tribute to the strong vitality shared by all things that breathe and eventually fade.

£3000

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Rhododendron schlippenbachii Maxim.

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Strelitzia reginae Banks

By Yeonuk Kim BSc, MEd

watercolor pencils on paper

h: 55 w: 40 d: 1 (cms).

Kinship of the Flesh My practice is anchored in three principles: actual life-size, long-term observation, and the unaltered field state. Initially captured by the radiant presence of the Strelitzia reginae (Bird of Paradise), I soon realized it was a distinct living entity aging alongside me. As a human bound by time, I felt a deep kinship in the flower’s once-haughty petals as they bore the indelible etchings of passing years. Rather than compressing its immense scale, I focused on the essential distillation of its life cycle, documenting the parched, wrinkling textures with watercolor pencils and a water brush. Confronting the subject in its true magnitude is an authentic chronicle of a fellow living being—a testament to the shared vulnerability of all things that breathe and eventually fade.

£3000

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Strelitzia reginae Banks

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Rose

By veronika milenina

Watercolor

h: 39 w: 27 d: 1 (cms).

This rose has been growing in my garden for two years now, and its captivating red color has long tempted me to paint it. But I was afraid I wouldn't be able to capture all the shades of red. This year, I finally took the plunge and painted it.

£1800

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Rose

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Green veined orchid (Anacamptis morio) - "Meadow Beauty"

By katja katholing-bloss

Watercolour/coloured pencil

h: 25 w: 20 d: 1 (cms).

This wild orchid was found in early May in a meadow near Bamberg/Upper Franconia (northern Bavaria). The small orchid used to be widespread and common throughout Germany. Today, this wild orchid species has become rather rare, its populations are declining and in many places it is threatened with extinction. Its habitat ranges from sea level to the montane zone. The flowers appear in all shades from white to dark purple. The helmet-shaped perianth has green veins. Pollination is carried out by bumblebees and bees. With an average height of 10 to 30 cm (maximum up to 50 cm), the plant grows on nutrient-poor grasslands, on dry to moderately moist meadows and pastures, mainly on alkaline soils, but also on lime-free loam and clay soils, provided these are sufficiently low in nitrogen.

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Green veined orchid (Anacamptis morio) - "Meadow Beauty"

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Grapes

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Ananas comosus - Cayenne Pineapple

By gail de smidt

Watercolour

h: 55 w: 41 d: 5 (cms).

I was wanting to paint a pineapple for so long. I did not want to paint just the fruit but rather the plant as a whole. This particular caynne pineapple, is used mainly for canning and juicing as it has a less sweet flavour than the Queen pineapples. The fruit start out a light pinkish purple colour, then turn a dark purple blue before finally ripening to a golden Yellow colour. The colours are what attracted me from when the plant is only just forming to when it is mature, the leaves are also the most delicious shades of green and red.

£2550.00

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Ananas comosus - Cayenne Pineapple

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Aponogeton distachyos - waterblommetjie

By gail de smidt

Watercolour

h: 38 w: 27 d: 5 (cms).

This was one plant I just had to paint. I loved the colours of this beautiful plant, the way it has the green hues then all the shades of pink and white with the flowers, that then develope into the full bodied juicy deep colours when the fruit ripens. The leaves are also so colourful depending on how fresh they are. I loved showing this as well as the yellow as the leaf dies. This plant is Endemic to the Cape in South Africa. It’s an aquatic herb, which has been brought back into cultivation as a food crop during the past twenty years.

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Aponogeton distachyos - waterblommetjie

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Berkheya cirsiifolia - Silver thistle

By annie patterson

Watercolor on paper

h: 52 w: 46 d: 1 (cms).

Painted scale x 2

£1000

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Berkheya cirsiifolia - Silver thistle

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Onopordum acanthus - Scottish thistle

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Red lilies in blooming and in drying

By olha khomych

Watercolor

h: 46 w: 61 d: 1 (cms).

This work depicts a daylily not as a static subject, but as a moment within a living cycle. The central bloom is fully open and assertive, rendered in saturated reds with a warm golden throat that suggests inner luminosity. The petals curve with subtle irregularity, emphasizing organic movement over idealized symmetry. Surrounding it is a progression of stages: tightly closed buds, flowers in full bloom, and those already fading - curled and darkening. This juxtaposition shifts the focus from pure aesthetics to temporality, placing peak vitality and decline within a single composition. The color palette is nuanced, ranging from bright scarlet to deep burgundy, with delicate veining that enhances a tactile sense of structure. The light, neutral background removes distraction, allowing form and natural rhythm to remain central.

£1200

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Red lilies in blooming and in drying

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Gainsborough’s House Quince Tree

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Leucadendron coniferum, dried cone

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P. granatum var. nana, Punica granatum, Dwarf Pomegranate, Pomegranate

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Magnolia grandiflora, Southern Magnolia

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Iris

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Cherry blossom

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Eriobotrya japonica (Thunb.) Lindl.

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Gift from the hedgerow

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Malus domestica 'Santana', Pyrus communis 'Conference'

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Rhubarb

By Alona Hrinchuk SBAF, ABA

Watercolor, graphite on cotton paper

h: 50 w: 40 d: 1 (cms).

A country garden, nature, and a moment of silence amidst constant anxiety became a way to restore my inner equilibrium. It was there, among the familiar flora, that I first witnessed a rhubarb plant in bloom. Typically known for its immense foliage that holds a universe of intricate details, its flowering stage was a true discovery. The delicate, weightless blossoms seemed to stand strong against all the storms of the world. I captured several reference photos in May 2022, unaware of how essential they would become. The image lingered in my memory until I knew I had to capture it in my art. For me, rhubarb transcends botanical beauty; it is the essence of childhood. Its tart, green apple-like flavor and the memory of my grandmother’s pies remain some of my most comforting memories

£2750

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Rhubarb

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Asparagus officinalis

By Alona Hrinchuk SBAF, ABA

Watercolor, graphite on cotton paper

h: 50 w: 40 d: 1 (cms).

I knew from the very beginning that I had to paint asparagus through every stage of its growth. I wasn't interested in the familiar, perfectly cut bunch from the supermarket - I was looking for a unique perspective that hadn't been painted before. I wanted an image that would encompass its entire life cycle: the delicate shoots, the airy greenery, the subtle blooming, and the berries. To capture this natural truth, I planted a seedling sent by my parents and carefully observed its development over time. It was crucial for me to show asparagus in its true, natural form, exactly as it grows in the earth, rather than just as a product on a store shelf. All these observations slowly pieced together, and by the end of 2024, the exact composition you see in this painting finally took shape in my mind.

£2750

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Asparagus officinalis

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Faded tulip

By anne pieussergues dherbicourt ADP

colored pencils

h: 29 w: 44 d: 1 (cms).

A beautiful A3 illustration of a withered purple tulip. Although the flower is dried and curled, its petals still glow with metallic violet reflections, blending natural decay with a striking, shimmering finish.

£500

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Faded tulip

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Decorative gourd

By anne pieussergues dherbicourt ADP

watercolor

h: 30 w: 40 d: 1 (cms).

A delicate watercolor study of a cream and green decorative gourd. Painted on a 30x40 cm format, the soft washes of color capture the gentle curves and organic texture of this autumn treasure.

£900

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Decorative gourd

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Chloraea magellanica

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Wollemia Pine

By sandra doyle

Watercolour on Vellum

h: 15 w: 10 d: 1 (cms).

A female Wollemia Pine cone from the Critically Endangered Wollemia noblis, foliage and insert with location of the Wollemi National Park, Australia, where it was discovered in 1994. After being successfully cloned, trees have been planted in collections around the world. This specimen grows in the Natural History Museum Gardens, London.

£250

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Wollemia Pine

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Sunflower arrangement /No matter what love will save the world

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Anemone arrangement

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February

By Kate Rolshoven BA (Fine Arts)

Watercolour on Paper

h: 76 w: 56 d: 1 (cms).

This piece is a tribute to the remarkable flowers that bloom in February, a time of year that has taken on new significance since my move to Germany. Having grown up in Australia, I continue to be struck by the stark contrast in seasons here. Just when it feels as though warmth may never return, nature offers a quiet yet powerful reminder that spring is on its way. Despite the grey skies, persistent rain, and lingering cold, these blooms find the strength to emerge. Snowdrops, crocuses, and nodding hellebores seem to carry a quiet wisdom, appearing as if they know something we don’t, that light and warmth are near. Their resilience inspired me to create a piece full of colour and contrast. The bold blue shadow contrasts the brilliance of the yellow and purple crocuses, while the leopard-print spots on the white Hellebore add drama and intrigue to the composition. This painting celebrates that fleeting yet hopeful moment when winter begins to loosen its grip.

£5000

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February

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Curcuma

By Kate Rolshoven BA (Fine Arts)

Watercolour on Paper

h: 56 w: 76 d: 1 (cms).

Curcuma longa - Hidden in the soil under these striking hot pink flowers is the golden root used to make Turmeric spice. There are 100 different species of Curcuma (the genus belonging to the ginger family). Some of these plants are used as food and dyes, while others are purely ornamental. Turmeric has long been valued in Asian cultures for both its medicinal properties and for giving curry its rich golden colour. While painting this flower I became immersed its exotic structure. Initially you’re drawn to the dramatic pink blooms, however if you look closely there’s a surprise hidden in the glossy layered bracts below. Small violet flowers emerge from each bract, poking out their heads, waving from their little windows.

£4500

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Curcuma

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Clematis parviloba subsp. shengzhenii

By yi-ju li DipSBA(Dist)

Watercolour

h: 41 w: 31 d: 1 (cms).

Yuan-Hao Cheng, master of Department of Life Sciences, National Chung Hsing University, and Dr. Tsung-Yu Aleck Yang, researcher of National Museum of Natural Science, conducted detailed and comprehensive morphological study on Clematis subsection Pierotianae native to Taiwan. In 2020, Cheng and his research partners discovered a Clematis population in Yangmingshan resembling C. parviloba subsp. bartlettii, which typically grow at mid-to-high altitude. However, after comparing collected specimens, they found the two species are distinguishable by stamen number and morphology. Therefore, they published it as a new subspecies of C. parviloba. The new subspecies, C. parviloba subsp. shengzhenii was named after Cheng’s Taxonomy mentor Dr. Sheng-Ren Yang. The reference plant of this artwork is a lovely flowering stem cutting from Billy Tam (Kwok-Yuk Tam).

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Clematis parviloba subsp. shengzhenii

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Illawarra Plum, Podocarpus elatus

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Phacelia

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Thistle

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Gladioluses

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Peony

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Phalaenopsis II

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Peony

By Olga Akimtseva

watercolor

h: 23 w: 23 d: 1 (cms).

Watercolor on cotton paper Winsor & Newton Exhibited at the Society of Botanical Artists of Russia, Saint Petersburg, 2025

£590

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Peony

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The Professional

By anna lekmanova MA, SABA

watercolors

h: 41 w: 31 d: 1 (cms).

This watercolor depicts an overripe cotton boll as a metaphor for professional integrity and quiet mastery. I chose cotton because it gives so much to the world—fabric, paper, and the material foundations of everyday life—while remaining modest and unassuming. For me, this form represents a professional who knows their value without arrogance, who gives themselves fully to their work until the very end. The falling seeds suggest continuity: effort does not disappear but reaches fertile ground and continues to bear fruit. This work is a tribute to honest professionals, whose unseen dedication moves humanity forward and makes life safer, better, and more humane.

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The Professional

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Dryopteris expansa

By ilona borovskikh

Watercolour

h: 56 w: 46 d: 1 (cms).

I drew rachis Dryopteris expansa in 10x magnification to pay attention to all the details. It attracted me with the juiciness of its stem and the shape of its curve, reminiscent of the golden ratio.

£890

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Dryopteris expansa

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Arisaema japonicum

By ilona borovskikh

Watercolour

h: 31 w: 23 d: 1 (cms).

In the Botanical Garden in the fall, I met the Arisaema japonicum plant, which attracted me with its shape and brightness. I have accurately captured all the shades and colors.

£350

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Arisaema japonicum

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Ophrys apifera

By giovanna molinari-casile

Scientific botanical paper sculpture using handmade Japanese washi (kozo, kitakata) and natural pigments

h: 50 w: 18 d: 15 (cms).

Scientific botanical paper sculpture of Ophrys apifera, developed through direct observation and morphological study. The plant is presented uprooted to reveal its full biological structure, including tubers and root system. Created with handmade Japanese washi and natural fibers, the work combines scientific accuracy with sculptural clarity, emphasizing the ephemeral and structural beauty of the species.

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Ophrys apifera

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Poppy

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Parker Pear

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Spring Grape Hyacinth

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Grains of Izmir

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Rhododendron Red Jack

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Wisteria

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Conophytum ectypum subsp. brownii x C.bilobum s.l.

By sally arnold Dipl FA, MA Art Hist, Dipl Bot Art

Coloured pencil on paper

h: 41 w: 30 d: 1 (cms).

Since 2017 I have been focusing on tiny Succulent Karoo plants. From 2022 onwards I began documenting the genus Conophytum. With the recent SBA Fellows Grant for a field trip in South Africa during 2026, and 10 new Conophtyum drawings, work on these plants will become all consuming. Here is an example of a cross-pollinated cultivar by the Conophytum expert, Steven Hammer. Protective sheath fragments surround the plant base. I have chosen a drawing layout which shows the plan view (as the plant is seen in the earth), a seed capsule in plan view, and a lateral view of the plant and flower.

£590

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Conophytum ectypum subsp. brownii x C.bilobum s.l.

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Conophytum herreanthus subsp. herreanthus

By sally arnold Dipl FA, MA Art Hist, Dipl Bot Art

Coloured pencil on paper

h: 41 w: 30 d: 1 (cms).

This unusual variation of Conophtyum shows two prominent succulent leaves, fused only at the base, not in the usual conical or globe form. This is also one of the very few Conophytums which does not form a protective sheath. Officially extinct in the wild for over eighty years, this specimen was documented in the Karoo National Gardens at Worcester, Western Cape. I have chosen a drawing layout which shows the plan view (as the plant is seen in the earth), a seed capsule in plan view, and a lateral view of the plant and flower.

£590

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Conophytum herreanthus subsp. herreanthus

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Ismene amancaes

By Jacqueline Rodríguez de Guzmán Santisteban

Watercolor on paper

h: 42 w: 29 d: 1 (cms).

Ismene amancaes or Flower of Lima, is a typical species of the coastal hills vegetation “lomas costeras”, this emerges in June during the winter/fog period in South Hemisphere, this bulbose was almost made extint locally with habitat destruction , but government has involved in it´s conservance, thanks that we can see hills covered with these intense yellow and scented flowers.

£820

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Ismene amancaes

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Fritillaria meleagris- Silence of Spring Meadows

By lesia zaitseva

Watercololr, graphit

h: 56 w: 56 d: 1 (cms).

I grow Fritillaria meleagris in my garden and deeply enjoy observing its flowering in spring. The opportunity to see this plant alive, developing, and returning each year feels especially valuable to me. It is therefore all the more painful to realise that in its natural habitats, such beauty is now on the verge of disappearance due to human activity.

£1000

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Fritillaria meleagris- Silence of Spring Meadows

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Marsh Marigold

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“Pine cone”

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Phalaenopsis I

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2025 Manihot esculenta

By carolina calomeno

Wattercolor

h: 42 w: 30 d: 1 (cms).

Cassava belongs to the Euphorbiaceae family and originates from South America, diversifying to other parts of the world. It is of great nutritional importance in combating hunger and rural socioeconomic vulnerability, being considered the third largest source of carbohydrates in the tropics, used as food for more than 500 million people. Being a very hardy plant, it is able to adapt to different climates and soils, being very resistant to drought, poor soils, and pests. However, it can only be consumed after cooking, as it contains highly volatile hydrogen cyanide (HCN), whose toxicity is reduced by cooking. The name "mandioca" comes from the Tupi word mãdi'og or mani-oca, meaning "house of Mani," a reference to the Guarani goddess Mani.

£1000

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2025 Manihot esculenta

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