Society of Botanical Artists : Plantae Online 2026

Leucospermum cordifolium (Pincushion Protea)

By natalia dniprovska

Watercolor on paper

h: 40 w: 30 d: 1 (cms).

This artwork captures the striking architectural form of the Pincushion Protea. The focus is on the intricate arrangement of the styles and the vibrant transition of warm tones, rendered through precise layers of watercolor to emphasize the plant's unique texture.

£450

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Leucospermum cordifolium (Pincushion Protea)

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Pretty poison

By linda lunnon MSA (Master Scratchboard Artist)

Ink on scratchboard

h: 51 w: 28 d: 1 (cms).

This artwork of an Australian native, Sturt's Nightshade (Solanum sturtianum) was done using scratchboard techniques on a scratchboard panel. Layers of coloured ink were added and scratched into to bring to life the attractive silvery-green foliage, delicate purple flowers and plump yellow fruit. Although it looks very similar to the edible bush tomato Solanum centrale, this is not a plant to be ingested, as it's highly poisonous to humans and animals.

£2950

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Pretty poison

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The buzz around town

By linda lunnon MSA (Master Scratchboard Artist)

Scratchboard

h: 30 w: 30 d: 1 (cms).

This artwork of the Australian native dwarf specimen of lemon-scented ironbark (Eucalyptus staigeriana) was completed on a scratchboard panel using scratchboard techniques. This tree is one of my favourites in our garden - every January it becomes heavy with honey-scented blossoms that bring in a diverse array of pollinators from miles around!

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The buzz around town

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Pink Rhododendron

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Pineapple Study

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Ricinus communis

By jaehoon han

Colored pencils

h: 545 w: 394 d: 1 (cms).

This botanical illustration depicts the castor bean plant, carefully portraying its leaves, flowers, fruits, and seeds to present the plant’s full life cycle and structural characteristics. The composition focuses on the distinctive palmate leaves, textured stems, and the spiny green fruits that contain the seeds, highlighting the unique morphology of the species. Each element has been closely observed and rendered with attention to detail, from the delicate veins of the leaves to the complex structure of the developing and mature seed pods. Additional studies of the fruit and seeds are included to illustrate the transformation from flowering to seed formation, offering a scientific as well as artistic perspective. Through this work, the artist aims to combine aesthetic beauty with botanical accuracy. By presenting the plant in a clear and informative way, the illustration invites viewers to appreciate the complexity, diversity, and subtle elegance found in the natural world. The pie

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Ricinus communis

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Hosta capitata

By jaehoon han

Colored pencils on paper

h: 515 w: 364 d: 3 (cms).

This botanical illustration depicts the hosta plant, focusing on the beauty of its structure and the stages of its growth. The composition presents not only the fully opened flowers but also the buds, the internal structure of the flower, the developing fruits, and the withered stage, illustrating the life cycle of the plant in a comprehensive way. The gently arching pink flowers capture the graceful form characteristic of hosta, while the long flower stalk and broad leaves show the plant’s balanced and elegant growth. Special attention has been given to the veins and texture of the leaves, emphasizing the natural order and vitality found in plant structures. In addition, sectional views of the flower and the developmental stages of the fruit are included to provide a clearer understanding of the plant’s reproductive process and morphological features. Through careful observation and detailed rendering, this work seeks to combine scientific accuracy with artistic expression. Ultimate

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Hosta capitata

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Nepenthes bicalcarata

By marchelino michelin gunawan fong

pen on paper

h: 30 w: 21 d: 1 (cms).

I drew Nepenthes bicalcarata to show the uniqueness of its pitcher lip, which has fangs on the top, which makes it different from most other Nepenthes species, as well as its unique inflorescence, which is clustered with more than 3 flowers in 1 branch. This Nepenthes itself is an endemic plant of the Kalimantan Islands in Indonesia. I was very fortunate to be able to observe the flowering stage of Nepenthes bicalcarata, which is very difficult to find, even when this plant under intensive care of a nursery, it is very difficult to get it to flower. Captivated by its beauty, move me to draw it with my recent favorite medium, pen on paper.

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Nepenthes bicalcarata

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Autumn Rose. Exquisite Withering.

By Olha Korniienko

watercolor

h: 28 w: 38 d: 1 (cms).

Everything is fine and harmonious in nature. Watching the processes of aging, dying and withering, you feel admiration, peace and acceptance of the natural limb of being. This rose bloomed in my autumn garden just in time for my birthday. And I couldn't leave her without attention, capturing on paper the beautiful play of shades and the delicate lace of veins on her petals.

£900

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Autumn Rose. Exquisite Withering.

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Korean paulownia

By an suk park

Watercolor on paper

h: 39 w: 54 d: 1 (cms).

The paulownia tree is so tall that it’s hard to observe its details up close. Because of this, it wasn’t easy to study carefully. One day, the artist discovered a young, small paulownia sapling and began closely observing and documenting its growth over the course of about three years. The bell-shaped flowers required an extremely fine brush to capture their delicate structure and the countless tiny hairs covering them. The large leaves are depicted life-size on the back side of the illustration to convey their true scale. Some leaves are shown slightly turned over to reveal the soft, fuzzy texture on the underside. The chandelier-like arrangement of the branches, along with the hard, woody fruits and tiny seeds, are all carefully illustrated. The entire growth process of the paulownia tree is presented step by step in a beautifully balanced and harmonious composition.

£2300

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Korean paulownia

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Horse chestnut

By an suk park

Watercolor on paper

h: 39 w: 54 d: 1 (cms).

I was filming plants that are good for honey production. The horse chestnut tree is a great example of what I wanted to show as a “scientist-style” explanation. This tree is really valuable for making honey — bees love it. Its leaves are palmately compound, usually divided into five (sometimes more) leaflets, giving them a distinctive hand-like shape. The leaflets have a smooth, almost shiny surface. The flowers are very small and a pale, almost invisible white — honestly, describing tiny flowers like these is much harder than it sounds. You really need some botany knowledge to do it properly. The fruits grow in clusters inside tough, spiky green shells. People say they’re poisonous if eaten. I spent a long time carefully observing and explaining the growth stages of this tree in the garden right in front of my house. It’s definitely a job that requires a lot of patience.

£2300

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Horse chestnut

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Heliconia wagneriana

By bronia gill DipSBA (Dist.)

Watercolor on paper

h: 42 w: 30 d: 1 (cms).

This Heliconia forms a pair with my first study of the species. I acquired both plants during the traditional sell-off of flowers on the final day of the Chelsea Flower Show. It was an incredible experience to bring these rare exhibition specimens home with me. While the first Heliconia captivated me with its colour, I was fascinated here by the contrast between the rich bracts and the dry, parchment-like details that emphasize its character. Together, these two paintings remain a memory of the joyful atmosphere at the end of the show, when the beauty of the exhibits moved into my home.

£1400

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Heliconia wagneriana

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Chrysanthemum morifolium

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Pseudocydonia sinensis

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Tulipa orphanidea (Whittallii Group) 'Major'

By jarnie godwin

Watercolour on Paper

h: 50 w: 50 d: 1 (cms).

Completed as part of Jarnie's 2025 RHS Gold medal winning series 'Tulipa: Species and Botanical Class Tulips'

£2200

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Tulipa orphanidea (Whittallii Group) 'Major'

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Chionanthus pubescens (Arupo)

By Marife Casares

Colored pencils and graphite pencils

h: 34 w: 50 d: 1 (cms).

Chionanthus pubescens Kunth is a tree native to Southern Ecuador and Northern Peru. Its stunning light pink, fuchsia, and white inflorescence makes it a perfect ornamental tree although it grows slowly. These trees loose their leaves and bloom during the summer, turning streets and parks in Andean cities into a marvelous sight.

£650

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Chionanthus pubescens (Arupo)

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Nova Scotia fall forest

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Coleus El Brighto

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Bamboo orchid #2

By Hazel Scott SBA

Watercolor on paper

h: 30 w: 21 d: 1 (cms).

Note to organizer: Image 1 is closer to the actual work. Image 2 is the color-corrected file, optimized for printing. Artwork story: This is my second painting of the bamboo orchid. Arundina graminifolia is a ground orchid native to the Philippines and other parts of tropical and subtropical Asia, and is a prolific bloomer. Its purplish-magenta flowers shimmer in bright light, offering a striking contrast to the clean, upright lines of its grass-like leaves and stems. Unlike the flowers of epiphytic orchids, each individual bloom is short-lived. Spotting this fruiting specimen at a resort garden made it impossible not to revisit this subject, this time to capture the full cycle: tight buds, an open flower, and a developing fruit, all on one stem.

£480

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Bamboo orchid #2

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Dillenia luzoniensis #2

By Hazel Scott SBA

Watercolor and colored pencils on paper

h: 30 w: 21 d: 1 (cms).

Note to organizer: Image 1 is closer to the actual work. Image 2 is a color-corrected file optimized for printing. Artwork story: Dillenia luzoniensis is endemic to the Philippines, and a reliable year-round bloomer in my garden. Its bright yellow petals frame a bold red center that bees find irresistible. The petals are so delicate that they are nearly always wilted by noon. What keeps this subject worth revisiting is the sheer variety on the plant at any given moment: the deep, leathery green of mature leaves alongside the almost luminous green of new growth, with buds, blooms and open fruit often coexisting on the same branches.

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Dillenia luzoniensis #2

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Capsules of Iris versicolor L. (1)

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Dancing Hornbeam

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Cymbidium sp.

By yuliia prokopchuk sbaf, aba, suba yula.designer.odessa@gmail.com

Watercolour and graphite

h: 56 w: 36 d: 1 (cms).

This artwork presents a botanical study of a cymbidium orchid, exploring the relationship between time, structure, and fragility. The composition combines two states of the plant: a blooming branch rendered in color and a faded, graphite silhouette that suggests memory or absence. I am particularly drawn to orchids for their complex architecture and quiet resilience. In this piece, I focused on the rhythm of the stems, the tension between strength and delicacy, and the subtle tonal transitions within the petals. Through careful observation and layered technique, I aim to preserve both the botanical accuracy of the plant and its emotional presence — a fleeting moment held still.

£1035

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Cymbidium sp.

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Star Tree

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Silk Floss Tree

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Pomegranates

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Figs

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Spiraling 16x

By Christiane Fashek

coloured pencil and watercolour

h: 67 w: 52 d: 1 (cms).

Candelariella vitellina, Physcia aipolia, Ramalina americana, Ramalina complanate, Ramalina sinensis, Teloschistes chrysophthalmus, Teloschistes exilis, Quercus fusiformis This cluster of intertwined lichens spirals around a live oak twig enlarged 16 times. It features several common lichens of Texas Hill Country, notably the orange apothecia of the golden-eye lichen, bottom left, and the slender orange bush lichen, near the top of the cluster. Spiraling around the midground are three Ramalina species differentiated by fruiting bodies, textures, and thallus breaks. I found this specimen on the ground after a storm, upside-down from its natural growth pattern, like a tiny bouquet. The enlargement allowed me to showcase all the fantastic intricacies and peculiar characteristics of these curious organisms. It is rendered in its dry, healthy state to showcase the glaucous palette against the radiant oranges.

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Spiraling 16x

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Malva (Mallow)

By Olena Denyshchyk

Watercolor, black graphite pencil, paper

h: 54 w: 45 d: 1 (cms).

Blooming Malva (Mallow) is depicted in Watercolor, emphasizing the delicacy of its petals and natural coloration. The graphic part complements the composition with a young shoot bearing unopened buds, highlighting an early stage of the plant’s growth.

£850

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Malva (Mallow)

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bonne Maman 8X

By Christiane Fashek

coloured pencil and watercolour

h: 54 w: 60 d: 1 (cms).

Ramalina celastri, Physcia aipolia, Punctelia rudecta, Teloschistes exilis, Xanthomendoza weberi, Quercus fusiformis The languid straps of this adult Ramalina celastri specimen were painted in a nearly dry state. Several broken straps indicate it had weathered some storms and dry spells. The fully grown fruiting bodies, appearing as white discs, contort with the curvature of the straps, evoking the suckers on octopus’ arms. Connected at a central point by holdfasts to a live oak twig, the fall of the straps also reminds me of Louise Bourgeois’ Maman arachnid sculpture. The juvenile straps at the tip of the twig become the spider’s fangs. I perched the specimen on an upside-down jam jar to draw it at actual size, and so the title came to be. The enlargement brings the bright, tiny tangles of Teloschistes and the bare-bottom sunburst lichen wrapped around the twig into focus.

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bonne Maman 8X

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Banksia robur

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Asplenium nidus

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Magnolia x soulangeana

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A Piece of Turf from the Chalkewadi Plateau

By prerna gupta

Coloured pencils and graphite

h: 20 w: 28 d: 1 (cms).

The Pogostemon deccanensis, native to India, is a common wildflower in the Western Ghats of India. This artwork depicts a clump of these flowers growing in the thin layer of topsoil on the lateritic Chalkewadi Plateau in the Western Ghats. The Plateau, a beautiful place to see the wildflowers of this region, faces stress from tourist activity and the windmill farms that have been set up here.

£450

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A Piece of Turf from the Chalkewadi Plateau

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Nymphaea alba L.

By simona tamanti

Watercolour

h: 41 w: 57 d: 1 (cms).

£500

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Nymphaea alba L.

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Echeveria 'Perle von Nuernberg' (Leaves 55)

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Magnolia x soulangeana (Leaves 56)

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Life cycle of a flower. Lady's-slipper orchid.

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Chestnut Branch

By David Bou

Watercolours

h: 26 w: 36 d: 1 (cms).

This watercolor painting depicts a chestnut branch at the threshold of autumn, with foliage transitioning from green to golden ochre and the spiny husk opening to reveal the mature seed. The work focuses on material contrast and light behavior — from the glossy surface of the chestnut to the brittle texture of the husk and weathered leaves. Executed over approximately 70 hours, the painting employs layered transparent washes to achieve depth while preserving botanical precision. The restrained white background isolates the subject, emphasizing form, structure, and seasonal transformation. The composition references the discipline of traditional botanical studies while maintaining a contemporary minimalist sensibility.

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Chestnut Branch

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Arisaema takesimense Nakai

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Caltha palustris L.

By simona tamanti

Watercolour

h: 59 w: 63 d: 1 (cms).

£500

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Caltha palustris L.

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Dancing Poppies

By lesley hall

Fabercastelle polychromos coloured pencils

h: 20 w: 28 d: 1 (cms).

I saw these poppies at the bottom of my garden after a heavy rain fall had knocked off lots of the petals. They looked as though they were dancing. The picture is un-framed and un-mounted at the moment.

£450.00

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Dancing Poppies

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Bupleurum latissimum Nakai

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Masting Acorns

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Beta Grapes

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Summer Squash Sunburst

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Zea mays L

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Macrozamia communis, Cycad 'Burrawang'

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Look Up Stargazer! Lilium orientalis

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Saponaria officinalis

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Hosta Leaves

By Kate Stone

Oil on Canvas

h: 76 w: 76 d: 3 (cms).

I was encouraged to grow hostas myself, when King Charles created his own stumpery garden, using many hosta plants My painting shows some of the varieties which flourished in my garden, with much care!

£525

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Hosta Leaves

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Ilex aquifolium

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Red Ember

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Floating By

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Vitis vinifera

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Bearded Iris 'Rachel de Thame'

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Vanda

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Zea mays Glass gem

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Acer platanoides 'Crimson King'

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Chaenomeles sinensis Koehne

By youngil kim

Watercolor pencil

h: 550 w: 380 d: 1 (cms).

It blooms with pale pink flowers in May and bears oval-shaped fruit. By September, the fruit ripens into yellow fruit measuring about 8–15 cm in diameter. The fruit is fragrant and is often preserved to make tea. In the illustration, the fruit shown on the tree is a large mature fruit, while the dissected fruit is a fallen immature fruit.

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Chaenomeles sinensis Koehne

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Viburnum dilatatum

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Telopea speciosissima

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Let's go

By tetiana volovik SUBA

Watercolor on paper

h: 30 w: 40 d: 1 (cms).

I dedicate this work to all children who are just beginning their life journey and the process of growth, as well as to adults who seek change in their lives and choose new directions. This painting reflects the importance of support, connection, and social care for everyone who embarks on a new path.

£320

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Let's go

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Muscari: Seen and Hidden

By liudmyla lobza

Watercolor

h: 55 w: 36 d: 1 (cms).

Muscari are among the first spring flowers, gently reminding us that winter is ending and nature is awakening. They mark a new beginning in the life cycle of plants, a quiet shift of seasons and moods. Like all living things, Muscari move through their own cycle: taking root, sending up shoots, forming buds, blooming, and eventually fading away to rest beneath the soil - only to return and bloom again the following year. In this work, I set out to reveal not only what meets the eye above the ground, but also the hidden part of the plant - the foundation of its life, unseen yet essential.

£980

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Muscari: Seen and Hidden

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Labyrinth of Illusions. Oakmoss. Evernia prunastri

By liudmyla lobza

Watercolor

h: 28 w: 38 d: 1 (cms).

The illusory matter - a labyrinth of connections and symbiosis, much like the hidden harmony of lichens, where fungus and alga coexist as one. This work reflects on that delicate balance, where illusion, life and creation quietly intertwine. Oakmoss (Evernia prunastri) changes its appearance with humidity and sunlight. Even in winter, when the world turns grey and still, its greenish-turquoise labyrinths catch the eye, revealing nature’s quiet resilience and beauty.

£720

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Labyrinth of Illusions. Oakmoss. Evernia prunastri

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Lotus

By Sora Han

watercolor on paper

h: 42 w: 30 d: 1 (cms).

Amid a dense tangle of leaves, layered and intertwined as if they had grown in quiet competition, a single white lotus rose upright above the water’s surface. Its posture was steady, almost resolute, untouched by the surrounding chaos. The leaves seemed to gather and overlap endlessly, creating a textured green maze, yet from within that thicket, the lotus emerged with remarkable clarity. What struck me most was how intensely it shone. The white was not merely pale, but luminous, catching the light in a way that made everything around it feel momentarily subdued. It did not demand attention, yet it naturally drew the eye, as if the entire scene had been arranged to frame its presence. In that brief encounter, the lotus felt less like a part of the landscape and more like a quiet declaration, revealing itself with a brilliance that lingered long after the moment had passed.

£1500

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Lotus

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Golden Spider Lilies on Keelung Islet

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Bougainvillea

By Sora Han

gouache on paper

h: 30 w: 42 d: 1 (cms).

The pink bougainvillea is beautiful on its own, but it becomes more compelling when it grows in abundance among its leaves. Rather than standing apart, the blossoms weave into the dense foliage, creating a sense of fullness. The green leaves form a quiet backdrop, allowing the pink to appear deeper and more vivid. As light passes through the layers, the color seems to bloom more richly. What lingers is not a single flower, but the way they gather and enhance one another. To further emphasize this depth and clarity, I worked with gouache, using its dense pigments to bring out the richness and saturation of the colors.

£1500

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Bougainvillea

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Machilus thunbergii

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Fig Branch

By miffy gilbert BAS (Hort.)

watercolour

h: 29 w: 36 d: 1 (cms).

A lovely self-sown Ficus carica that I lived with for years and have painted several times. I love this composition that reminds me of a Roman laurel.

£900

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Fig Branch

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Wind at the Devil’s Tears / Pandanus tectorius

By tatiana efimova

Watercolour on paper

h: 41 w: 31 d: 1 (cms).

Devil’s Tears is a picturesque overlook on Lembongan Island, near Bali, with scenic views of sunsets and waves crashing over rocky coves. There’s always a mist of water in the air there from the crashing waves, and the wind blows it into your face. I visited this place for the first time in January of this year, when the wind and waves were particularly fierce. And there I saw the pandanus plant for the first time. It seemed to be enjoying the atmosphere, its partially dried leaves with ominous spines fluttering in the wind, rustling and glorifying the elements.

£650

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Wind at the Devil’s Tears / Pandanus tectorius

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Digitalis parviflora

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Helianthus annuus

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Paphiopedilum 'Memoria Helene Colbert'

By miffy gilbert BAS (Hort.)

watercolour

h: 44 w: 30 d: 1 (cms).

An orchid delight that I happened to spot in flower for the first time in my little collection - purchased with paintings in mind. Isn't that how everybody shops?

£1000

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Paphiopedilum 'Memoria Helene Colbert'

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Stepping Into Tenderness

By sarah caswell

Acrylic

h: 100 w: 200 d: 4 (cms).

A pink and white hellebore growing in my garden in the bright March sunshine. Original acrylic painting on clear primed linen canvas. 4cm deep profile aluminium stretcher. FSC sustainably sourced timber. Intended to remain unframed.

£7900

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Stepping Into Tenderness

Public Choice Voting

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Pink Peonies

By sarah caswell

Acrylic

h: 60 w: 90 d: 4 (cms).

Pink and white peonies growing in my garden in the bright sunshine. Original acrylic painting on cotton canvas with tanner's brown Farrow and Ball background. 4cm deep profile aluminium stretchers. FSC sustainably sourced timber core. Intended to remain unframed.

£3250

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Pink Peonies

Public Choice Voting

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'Sunnymead Drive October 2025' (Ginkgo Biloba)

By jarnie godwin

Watercolour on Paper

h: 35 w: 35 d: 1 (cms).

This painting is a response to a singular moment in time. ‘Sunnymead Drive…’ is one of those paintings which happen without the artist even really knowing how. An ordinary walk at an extraordinary time led to a chance encounter, and there it was. A chance encounter opened the start of a new conversation, and an exploration of understanding. A time and place never to be repeated, but remembered in memory and within a single leaf.

£1150

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'Sunnymead Drive October 2025' (Ginkgo Biloba)

Public Choice Voting

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Helleborus orientalis

Public Choice Voting

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Decayed magnolia leaf

Public Choice Voting

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Magnolia liliiflora

Public Choice Voting

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Monty - Begonia Little Brother Montgomery

By Miranda Whitten-Walker PhD

Reduction linocut in 7 layers

h: 35 w: 25 d: 1 (cms).

A 7-layer reduction linocut print made from a single block. Hand-printed with traditional oil-based Ironbridge inks on Awagami HoSho Select paper. Print number 1 of a limited edition of 7 prints. This begonia was recently the glasshouse centrepiece at Hergest Croft Gardens near Kington in Herefordshire, where I am the 2026 Artist in Residence. I loved the way the sun shone through the uppermost leaves, giving them a yellow and red glow.

£105

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Monty - Begonia Little Brother Montgomery

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Rugosa rose

Public Choice Voting

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Crocuses

Public Choice Voting

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yeddo hawthorn(fruit)

Public Choice Voting

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Tiliacora triandra (Colebr.) Diels

By mallika choasakul

Watercolour on 640 gsm. cotton paper 100% (Arches HP)

h: 28 w: 19 d: 1 (cms).

Tiliacora triandra, Yanang is a local medicinal plant widely found in Thai home gardens. It is a versatile ingredient used in traditional Thai cuisine and herbal medicine for its various health benefits. The artistic allure of Yanang lies in the vibrant diversity of its ripening process. The berries do not mature simultaneously, creating a stunning natural gradient that transitions from vivid green and yellow to warm orange and deep red. ?To capture this biological phenomenon, I employed a layering technique. By meticulously building up translucent washes of color, I was able to mimic the organic transformation of the fruit, reflecting the authentic transition of life found in nature.

£750

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Tiliacora triandra (Colebr.) Diels

Public Choice Voting

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Enchanting pollen

By preeyapron phuthongphan

Watercolour on 300 gsm hot-pressed paper

h: 42 w: 30 d: 1 (cms).

A botanical illustration of Nymphaea nouchali Burm.f. exploring both structural details and stages of floral development. The composition combines a longitudinal section of a fully opened bloom with studies of buds and individual floral parts, highlighting the transformation from bud to blossom. Particular attention is given to the petaloid stamens, revealing their morphological relationship to petals. Subtle shifts in color, from green buds to purplish petals and a vibrant yellow center, emphasize the flower’s changing characteristics over time, blending scientific observation with aesthetic sensitivity.

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Enchanting pollen

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Acer leaf

By ingrid arthur

Watercolour

h: 21 w: 15 d: 1 (cms).

Watercolour on Fabriano Artistico 300gsm

£275

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Acer leaf

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Peonies

Public Choice Voting

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Walnut leaf

Public Choice Voting

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Rose hips

By Nermin Kayikci

Watercolour

h: 15 w: 19 d: 1 (cms).

Saunders waterford watercolor Hot press paper 140lb

£130

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Rose hips

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Solanum lycopersicum 'BlueFire'

Public Choice Voting

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Brassica oleracea 'Frost Byte'

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Siberian Iris

Public Choice Voting

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Rubus idaeus: ripening

By ruslana berezivska

Colored pencils and archival ink on paper

h: 40 w: 30 d: 1 (cms).

This work explores the natural process of ripening in Rubus idaeus, bringing together different stages of development within a single composition. From blossom to mature and overripe fruit, the plant is observed in its quiet transformation. Particular attention is given to the structure of leaves and the subtle shifts in tone and colour, allowing depth to emerge through contrast between detailed foreground and softened background elements. The aim is to present the plant truthfully, without idealisation, revealing beauty in its natural, imperfect state.

£1500

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Rubus idaeus: ripening

Public Choice Voting

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Poppy anemone

Public Choice Voting

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Niedzwetzky’s Apple

Public Choice Voting

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Golden Russet

Public Choice Voting

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Opuntia basilaris

By Izabela Maliszewska-Skiejka

Watercolour on paper

h: 42 w: 30 d: 1 (cms).

I found this beautiful blooming opuntia cactus during a hike through the Grand Canyon, Arizona. It was a pleasure to capture it in watercolour.

£300

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Opuntia basilaris

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The Ghost Orchid - Dendrophylax lindenii

Public Choice Voting

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Blackberries

By jill winch

watercolour

h: 20 w: 10 d: 1 (cms).

Blackberries painted on vellum

£750

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Blackberries

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